Lost George A. Romero Film “The Amusement Park” Gets Terrifying Trailer

The only movie horror legend George A. Romero did for hire was thought to be lost for decades. Commissioned by the Lutheran Society for an educational film about ageism, he turned in a disturbing trip into hell for one elderly man. Luckily, Romero's foundation discovered a print, and a huge restoration effort took place under the supervision of his widow.

Shudder acquired the rights earlier this year, and it's the perfect home for a curiosity like this. A few screenings at film festivals and one-off showings have earned the film rave reviews, including one which called it "one of the most upsetting films of the '70s." The Amusement Park will be one of a dozen movies Shudder will premiere beginning June 3. They've dubbed the series "Summer of Chills."

The Amusement Park streams exclusively on Shudder beginning June 8.

About Kip Mooney

Like many film critics born during and after the 1980s, my hero is Roger Ebert. The man was already the best critic in the nation when he won the Pulitzer in 1975, but his indomitable spirit during and after his recent battle with cancer keeps me coming back to read not only his reviews but his insightful commentary on the everyday. But enough about a guy you know a lot about. I knew I was going to be a film critic—some would say a snob—in middle school, when I had to voraciously defend my position that The Royal Tenenbaums was only a million times better than Adam Sandler’s remake of Mr. Deeds. From then on, I would seek out Wes Anderson’s films and avoid Sandler’s like the plague. Still, I like to think of myself as a populist, and I’ll be just as likely to see the next superhero movie as the next Sundance sensation. The thing I most deplore in a movie is laziness. I’d much rather see movies with big ambitions try and fail than movies with no ambitions succeed at simply existing. I’m also a big advocate of fun-bad movies like The Room and most of Nicolas Cage’s work. In the past, I’ve written for The Dallas Morning News and the North Texas Daily, which I edited for a semester. I also contributed to Dallas-based Pegasus News, which in the circle of life, is now part of The Dallas Morning News, where I got my big break in 2007. Eventually, I’d love to write and talk about film full-time, but until that’s a viable career option, I work as an auditor for Wells Fargo. I hope to one day meet my hero, go to the Toronto International Film Festival, and compete on Jeopardy. Until then, I’m excited to share my love of film with you.