Weekend Box Office Report: June 28-30 2013

BOX OFFICE REPORT "” June 28-30, 2013(estimates from BoxOfficeMojo.com)

TOP 5

1. Monsters University ($46.1 million)2. The Heat ($40.0 million)3. World War Z ($29.8 million)4. White House Down ($25.7 million)5. Man of Steel ($20.8 million)

 

Despite pressure from the foul-mouthed cops of The Heat and Channing Tatum's abs saving the President, Monsters University held its own for the top spot on one of the biggest overall weekends in years. This is the only time since Memorial Day Weekend 2004 that the top 5 movies each took in more than $20 million.

The Pixar prequel is already well on its way to out-grossing Cars 2 ($191.4 million) and, depending on how much competition it faces from Despicable Me 2 and Turbo in July, could even pass last year's Brave ($237.2 million).

The Heat took second with $40 million. That makes for the biggest opening of both Melissa McCarthy and Sandra Bullock's careers. Its success brings us to the annual discussion where we wonder why Hollywood doesn't produce more movies made for and by women. After the success of Bridesmaids, of which Melissa McCarthy was a huge part, there were a flood of thinkpieces about this issue. And there will be plenty more of them in the next week. Sadly, there will be even more next year when another female-centric film hits theaters and performs well. It's sad because Hollywood won't listen.

White House Down finished behind World War Z with $25.7 million. That's lower than the year's similarly themed Olympus Has Fallen. It's still a big opening but not the kind that puts a studio back in the black after forking over $150 million. Still, it got good remarks from audiences, so the studio is banking on a 4x holiday multiple over the coming weeks.

Outside the top 5: -This weekend's Indie Champ: Pedro Almodovar's I'm So Excited, his first full-on comedy in years, won the arthouse box office with a $20,600 average on each of its five screens. 

- Now You See Me and Epic have both crossed the $100 million threshold, which wasn't exactly expected from either film. Congrats is in order.

- Man of Steel has nearly made $250 million domestically. That's far more than Superman Returns and has already made half a billion worldwide, making it the biggest Superman film to date. 

Next week: The July 4th weekend gets started early as Despicable Me 2 faces Johnny Depp in The Lone Ranger on Wednesday. I still think the latter will be one of the biggest bombs of the summer, but I've been wrong before. I think it will take second place with $30 million while Gru's return rules the box office with $70 million. Also be on the lookout for Kevin Hart's stand-up documentary Let Me Explain to shock the world with a huge per-theater average. I think he could pull down $5 to $10 million on just 800 screens.

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About Kip Mooney

Kip Mooney
Like many film critics born during and after the 1980s, my hero is Roger Ebert. The man was already the best critic in the nation when he won the Pulitzer in 1975, but his indomitable spirit during and after his recent battle with cancer keeps me coming back to read not only his reviews but his insightful commentary on the everyday. But enough about a guy you know a lot about. I knew I was going to be a film critic—some would say a snob—in middle school, when I had to voraciously defend my position that The Royal Tenenbaums was only a million times better than Adam Sandler’s remake of Mr. Deeds. From then on, I would seek out Wes Anderson’s films and avoid Sandler’s like the plague. Still, I like to think of myself as a populist, and I’ll be just as likely to see the next superhero movie as the next Sundance sensation. The thing I most deplore in a movie is laziness. I’d much rather see movies with big ambitions try and fail than movies with no ambitions succeed at simply existing. I’m also a big advocate of fun-bad movies like The Room and most of Nicolas Cage’s work. In the past, I’ve written for The Dallas Morning News and the North Texas Daily, which I edited for a semester. I also contributed to Dallas-based Pegasus News, which in the circle of life, is now part of The Dallas Morning News, where I got my big break in 2007. Eventually, I’d love to write and talk about film full-time, but until that’s a viable career option, I work as an auditor for Wells Fargo. I hope to one day meet my hero, go to the Toronto International Film Festival, and compete on Jeopardy. Until then, I’m excited to share my love of film with you.

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