Review: Obsession | DIFF 2026

Score: A-

Director: Curry Barker

Cast: Michael Johnston, Inde Navarrette, Cooper Tomlinson, Megan Lawless

Running Time: 108 Minutes

Rated: R

With a clever conceit, a wicked sense of humor, and one incredible performance, Obsession has staked its claim as the horror movie to beat this year. YouTube horror creator Curry Barker makes his theatrical debut here, and it packs a wallop.

Michael Johnston stars as Bear, a 20-something going nowhere. He's harbored an unrequited crush on his friend Nikki (Inde Navarrette) for years, but has always been too nervous to express his true feelings. Johnston perfectly captures the twitchy, pathetic energy of this character. Yet he makes his desperation, excitement, and eventual terror believable.

After a particularly bad day and another botched attempt to reveal his heart to Nikki, he makes a wish that she would "love him more than anyone." It comes true in the worst possible ways. At first, their relationship has all the excitement, tenderness, and passion typical of new love. But soon Nikki does increasingly creepy things, like watching him sleep from a dark corner, listening outside the door while he uses the bathroom, and even trying to keep him from leaving the apartment. Navarrette, who I'd never seen before, doesn't just make her a shrieking monster. There are unsettling moments when "the real Nikki" briefly appears, distraught and terrified at the increasingly violent situation. It's an excellent piece of horror movie acting, bringing through real emotions.

While I was unfamiliar with Barker's previous work, I dug his particularly nasty humor, which can burst through a tense or horrifying scene. At one point before the film's bloody climax, Bear returns to the store where he purchased the cursed object he made his wish upon. The clerk, instead of being sympathetic, gives him shit for the situation he finds himself in, offering questionable solutions with a smarmy attitude. It was completely disarming and hilarious, and leads to an ending that is unpredictable, devastating, and also darkly funny.

2026 will see a glut of horror movies, with at least half a dozen slated to come out in the few weeks after this is released. But they'll have to be truly special to top this twisted tale.

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About Kip Mooney

Like many film critics born during and after the 1980s, my hero is Roger Ebert. The man was already the best critic in the nation when he won the Pulitzer in 1975, but his indomitable spirit during and after his recent battle with cancer keeps me coming back to read not only his reviews but his insightful commentary on the everyday. But enough about a guy you know a lot about. I knew I was going to be a film critic—some would say a snob—in middle school, when I had to voraciously defend my position that The Royal Tenenbaums was only a million times better than Adam Sandler’s remake of Mr. Deeds. From then on, I would seek out Wes Anderson’s films and avoid Sandler’s like the plague. Still, I like to think of myself as a populist, and I’ll be just as likely to see the next superhero movie as the next Sundance sensation. The thing I most deplore in a movie is laziness. I’d much rather see movies with big ambitions try and fail than movies with no ambitions succeed at simply existing. I’m also a big advocate of fun-bad movies like The Room and most of Nicolas Cage’s work. In the past, I’ve written for The Dallas Morning News and the North Texas Daily, which I edited for a semester. I also contributed to Dallas-based Pegasus News, which in the circle of life, is now part of The Dallas Morning News, where I got my big break in 2007. Eventually, I’d love to write and talk about film full-time, but until that’s a viable career option, I work as an auditor for Wells Fargo. I hope to one day meet my hero, go to the Toronto International Film Festival, and compete on Jeopardy. Until then, I’m excited to share my love of film with you.