Review: Re-Cut

Score:C-

Director:Fritz Manger

Cast:Meredith Phillips, Ross Kohn, Austin Basis

Running Time:88 Minutes

Rated:NR

Horror films that are made to look like a documentary in
which footage has been mysteriously "˜found' amongst a bunch of garbage is something
of a norm these days. The Blair Witch
Project put the sub-genre on the map over ten years ago, and this past
weekend Paranormal Activity 2 showed
us just how great it can be.  But
where there is promise there can also be defeat; and while Re-Cut wasn't a terrible film, it did get caught up in the
shaky-camera philosophy and ultimately failed to deliver any sense of closure.

Beginning with the typical "˜this footage was found' montage Re-Cut caught my attention early with its
unique editing style and presentation. 
Real-life reality TV star Meredith Phillips plays a fictionalized
version of herself as she is attempting to break the mold and formulate a
post-reality show career in the world of broadcast journalism.  Her acting is anything but stellar;
however, it provides for some much needed comedic relief as the irony between
herself and her character is constantly brought into question.

But unfortunately the greatness stops there.  The film, which was shot on a minimal
budget, using only a handful of small cameras, lacks any sense of urgency or
suspense.  While there is a killer
and a set of innocent victims, we never learn enough about them to actually
care about their fate.  The cameras
rarely stay focused on any one thing long enough to cause a rise in one's heart
rate, and the interjected snippets of "˜past' footage creates random and
unwelcome delays in the story.

I am not entirely sure why the directors opted to inform the
audience of the official definition of a "˜snuff film' (a pornographic film that
involves the actual murder of an actor on screen).  It was displayed at the very beginning of the film yet never
got any screen time.  Maybe I
missed something there, I simply don't know. 

What I do know is that while not great, Re-Cut is a decent horror film that excels on the recent mainstream
success of the handheld mocu-drama horror picture.  I don't have any intentions of seeing it again, and wouldn't
necessarily recommend it given its ultimate lack of clarity and closure;
however, for genre fans, you will undoubtedly enjoy it for what it is.  Just don't go in with high
expectations, that is ultimately what did me in.

Facebooktwitterredditmail

About Stephen Davis

Stephen Davis
I owe this hobby/career to the one and only Stephanie Peterman who, while interning at Fox, told me that I had too many opinions and irrelevant information to keep it all bottled up inside. I survived my first rated R film, Alive, at the ripe age of 8, it took me months to grasp the fact that Julia Roberts actually died at the end of Steel Magnolias, and I might be the only person alive who actually enjoyed Sorority Row…for its comedic value of course. While my friends can drink you under the table, I can outwatch you when it comes iconic, yet horrid 80s films like Adventures in Babysitting and Troop Beverly Hills. I have no shame when it comes to what I like, and if you have a problem with that, then we’ll settle it on the racquetball court. I see too many movies to actually win any film trivia contest, so don’t waste your first pick on me. My friends rent movies from my bookcase shelves, and one day I do plan to start charging. I long to live in LA, where my movie obsession will actually help me fit in, but for now I am content with my home in Austin. I prefer indies to blockbusters, Longhorns to Sooners and Halloween to Friday the 13th. I miss the classics, as well as John Ritter, and I hope to one day sit down and interview the amazing Kate Winslet.

Leave a Reply