“Allegiant” Falls to “Zootopia” as Franchise Fatigue Sets In

BOX OFFICE REPORT

March 18 - 20, 2016

(estimates from BoxOfficeMojo.com)

TOP 5

Zootopia ($38.0 million)
The Divergent Series: Allegiant ($29.0 million)
Miracles From Heaven ($15.0 million)
10 Cloverfield Lane ($12.5 million)
Deadpool ($8.0 million)

Despite even more competition, no film could stop the reign of Zootopia. Disney’s well-regarded animal flick has now stayed on top for three straight weeks, with very minor drops each time. It’s now topped $200 million and seems bound for $250 million, though $300 million seems a little high.

Its biggest competition, Allegiant, did not find a loyal audience. The third film in the Divergent series debuted more than $20 million below what Divergent and Insurgent opened to. As many studios are discovering, there’s a lot of franchise fatigue, especially in book adaptations that pump out a movie every year. Allegiant will barely top $100 million and expect finale Ascendant to either get delayed or otherwise moved from its major summer 2017 perch. Lionsgate/Summit is probably ready to get this underperformer out of the way.

But it was a heavenly opening for Miracles from Heaven. The faith-based film opened to $15 million, and has taken in $18 million since opening on Wednesday. Faith-based films are flooding the marketplace, but they’re hit-or-miss when it comes to drawing in audiences. For every War Room, there’s a 90 Minutes in Heaven. This one’s likely to crack the top 10 of the Christian genre. 10 Cloverfield Lane fell further down its bunker, taking in only $12.5 million. It won’t match the original Cloverfield’s $80 million gross. And Deadpool is down to the end of its run, but what a run. It will finish eighth all-time on the comic book movie list and will probably remain the top movie of 2016 for a few months.

Outside the top 5:

  • This Weekend's Indie Champ: Midnight Special, the sci-fi thriller from acclaimed filmmaker Jeff Nichols. It averaged $36,800 on five screens.
  • The Bronze didn’t even place. The raunchy comedy about a former Olympian trying to reclaim her glory days fell victim to Sony Pictures Classics’ flawed release strategy. It opened in more than 1,100 theaters despite very little marketing. Thus, it bombed with one of the all-time worst averages of any wide release.To put that in perspective, Kapoor & Sons Since 1921, an Indian film that opened on 1,000 fewer screens than The Bronze, made more than double. On just 143 screens, the film made $965,000.
  • Well, it took more than 20 weeks and after it was already on home video, but Spectre finally crossed $200 million domestically. That’s more than $100 million less than what Skyfall made in 2012.

Next week:

It’s the movie that almost everyone has been waiting for: Batman v Superman: Dawn of Justice. After endless speculation and online jokes, we’ll finally get to see if this is the battle of the century or another colossal letdown from Zack Snyder. Either way, it’s going to have a huge opening weekend. But just how huge? That’s hard to say. For a movie this big, anything under $150 million will look like a disappointment. But does it seem that most people are as excited for this as, say, Captain America: Civil War? Not based on my anecdotal evidence. But I could be wrong. So let’s just say slightly above expectations at $155 million.

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About Kip Mooney

Kip Mooney
Like many film critics born during and after the 1980s, my hero is Roger Ebert. The man was already the best critic in the nation when he won the Pulitzer in 1975, but his indomitable spirit during and after his recent battle with cancer keeps me coming back to read not only his reviews but his insightful commentary on the everyday. But enough about a guy you know a lot about. I knew I was going to be a film critic—some would say a snob—in middle school, when I had to voraciously defend my position that The Royal Tenenbaums was only a million times better than Adam Sandler’s remake of Mr. Deeds. From then on, I would seek out Wes Anderson’s films and avoid Sandler’s like the plague. Still, I like to think of myself as a populist, and I’ll be just as likely to see the next superhero movie as the next Sundance sensation. The thing I most deplore in a movie is laziness. I’d much rather see movies with big ambitions try and fail than movies with no ambitions succeed at simply existing. I’m also a big advocate of fun-bad movies like The Room and most of Nicolas Cage’s work. In the past, I’ve written for The Dallas Morning News and the North Texas Daily, which I edited for a semester. I also contributed to Dallas-based Pegasus News, which in the circle of life, is now part of The Dallas Morning News, where I got my big break in 2007. Eventually, I’d love to write and talk about film full-time, but until that’s a viable career option, I work as an auditor for Wells Fargo. I hope to one day meet my hero, go to the Toronto International Film Festival, and compete on Jeopardy. Until then, I’m excited to share my love of film with you.

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