Review: The Odyssey

Score:  A

Director:  Christopher Nolan

Cast:  Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Elliot Page

Running Time:  172 Minutes

Rated:  R

“Don’t look for God in men. You’ll only be disappointed.”

It's hard to fathom a filmmaker with the versatility and ambition of Christopher Nolan.  Having conquered the worlds of Gotham and the father of the atomic bomb, the legendary filmmaker continues to push boundaries with each new project, transporting audiences to unfamiliar places while introducing them to a wealth of new stories and characters.

His latest endeavor?  Homer's The Odyssey, the nearly 2,800-year-old Greek epic poem that is every bit as sprawling and complex as its reputation suggests.  But have no fear.  Nolan comes prepared, delivering a visual spectacle that, while occasionally oversized and overbearing, showcases both the beauty of his craftsmanship and his impeccable attention to detail.

Nolan's film opens with a town bard, played by rapper Travis Scott, laying the foundation for the story to come as he recites songs detailing the triumphs of the Trojan War while rowdy suitors feast and drink around him.  His staff strikes the floor in a rhythmic cadence, giving the opening sequence a pulse that foreshadows the intricate ways the film uses music and sound to add weight, emotion, and ferocity to its characters.

Much like the source material, the film unfolds out of order, its structure moving fluidly between past and present.  The approach succeeds thanks to razor-sharp editing and Nolan's confident sense of direction.  Matt Damon delivers one of the strongest performances of his career as Odysseus, the fearless warrior responsible for devising the famed Trojan Horse strategy. It is his long and perilous voyage home following the war that anchors the story.

I know what some of you are thinking.  And you're right.  The Trojan Horse doesn't appear in Homer's telling of The Odyssey.  Nor is it featured in The Iliad.  Instead, it comes from other ancient works that chronicle the final days of the Trojan War and the events that ultimately send Odysseus on his legendary journey.

And that isn't the only liberty Nolan takes with his adaptation.

And that's okay.

Those adjustments, made with care and precision, expand upon the source material while giving the narrative a more focused throughline from beginning to end.  That alone is an accomplishment considering the sheer number of characters, locations, and storylines packed into the film's nearly three-hour runtime.

As he so often does, Nolan bends time to serve the story, weaving between the present and carefully placed flashbacks that reveal pivotal moments from Odysseus' journey while his family anxiously awaits his return home.

The Odyssey, in all its grand splendor, is undoubtedly at its best when we're alongside Odysseus and his crew.  Himesh Patel is exceptional as Eurylochus, Odysseus' trusted second-in-command, while the rest of the ensemble fills the screen with remarkable authenticity as they battle both the sea and the mythical creatures that stand in their way.

But there is an enormous story to tell, and Nolan rarely lingers in one place for long.  That decision can occasionally feel overwhelming, particularly for viewers unfamiliar with the epic's scope.  Still, the payoff is well worth it.  You can't help but become enchanted by the massive set pieces that bring to life a story many of us struggled to comprehend in high school.

While the cast—an unapologetic who's who of Hollywood talent—is outstanding, they ultimately serve as the foundation for Nolan's singular vision.  From the moment the Trojan Horse glistens on the beach, half-buried in the sand due to the tide, your eyes can't help but feast on the imagery, absorbing every meticulously crafted frame as this tale of heroism, loyalty, and sacrifice unfolds.

But Nolan's films are never one-dimensional, and The Odyssey is no exception.  Beyond its breathtaking visuals, the film masterfully uses sound to immerse audiences in the world Nolan has painstakingly created.  Ludwig Göransson's score is never intrusive.  Instead, it quietly elevates every moment, pushing the story forward while deepening the emotional impact of the journey.  It's an essential piece of the storytelling puzzle, and once again, Nolan and his trusted collaborator prove why they remain one of cinema's most formidable creative partnerships.

But again, this is Nolan's film.  The Oscar-winning director has admitted that without the success of 2023's Oppenheimer, The Odyssey likely never would have been made.  And while it's taken nearly 2,800 years to bring this literary masterpiece to the screen on this scale, it's difficult to imagine anyone attempting to rival this adaptation anytime soon.

Many will debate whether The Odyssey stands as Nolan's greatest film.  The question, thankfully, is beside the point.  In an era defined by instant gratification and shrinking attention spans, Nolan continues to push the medium forward, enriching the theatrical experience and reminding audiences why movies matter.  The Odyssey is ambitious. It's all-encompassing.  It's massive in both scale and scope.  The mere fact that this ship reaches shore is an accomplishment worth celebrating.

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About Stephen Davis

I owe this hobby/career to the one and only Stephanie Peterman who, while interning at Fox, told me that I had too many opinions and irrelevant information to keep it all bottled up inside. I survived my first rated R film, Alive, at the ripe age of 8, it took me months to grasp the fact that Julia Roberts actually died at the end of Steel Magnolias, and I might be the only person alive who actually enjoyed Sorority Row…for its comedic value of course. While my friends can drink you under the table, I can outwatch you when it comes iconic, yet horrid 80s films like Adventures in Babysitting and Troop Beverly Hills. I have no shame when it comes to what I like, and if you have a problem with that, then we’ll settle it on the racquetball court. I see too many movies to actually win any film trivia contest, so don’t waste your first pick on me. My friends rent movies from my bookcase shelves, and one day I do plan to start charging. I long to live in LA, where my movie obsession will actually help me fit in, but for now I am content with my home in Austin. I prefer indies to blockbusters, Longhorns to Sooners and Halloween to Friday the 13th. I miss the classics, as well as John Ritter, and I hope to one day sit down and interview the amazing Kate Winslet.