Review: F1

Score: B+

Director: Joseph Kosinski

Cast: Brad Pitt, Damson Idris, Kerry Condon, Javier Bardem

Running Time: 155 Minutes

Rated: PG-13

F1 is the most exhilarating movie I've seen all year, but also the most derivative. It's essentially a carbon copy of Top Gun: Maverick, with cars instead of jets. An ungenerous reading would be that Ehren Kruger simply did a Find & Replace on his own script. But that's not entirely fair to a movie that's more than the sum of its parts.

Brad Pitt stars as Sonny Hayes, a nomadic driver with no attachments and a penchant for skirting the rules. He's offered some stability and a fat paycheck from his old racing partner Ruben (Javier Bardem), whose team is on the verge of being sold after consistent bottom finishes. Though Sonny hasn't driven Formula One since a wreck ended his career decades ago, he of course is just the wild card Apex GP needs to start getting noticed.

Of course the team's star is a young hotshot (Damson Idris) who has a ton of talent but zero discipline, and is constantly pressured to "build his brand" instead of hone his craft. Will these two butt heads and try to show each other up on the track? And will they eventually come to respect each other and learn from one another? Obviously.

But as the late Roger Ebert once said: "It's not what a movie's about; it's how it's about it. And the immense talent in front of – and especially behind – the camera make for one of the most electrifying times you'll have at the movies all year. From the incredible sound design to the smooth film editing to the stunning cinematography, these folks are at the tops of their games, delivering a technical presentation that's pretty much flawless.

While Pitt and Idris have the star power required for the two leads, the film also has a stacked supporting cast. Kerry Condon brings some Irish sass as the team's technical director, whose intelligence and dedication attracts Sonny. Kim Bodnia (Killing Eve) is sturdy as the flustered team principal. And Tobias Menzies (The Crown) is perfectly disarming as a team investor with his own agenda.

From the moment Sonny straps into a race car while Led Zeppelin's "Whole Lotta Love" blasts from the speakers, I had a big stupid grin on my face. That lasted through the end credits, even when the film strained credulity. Unlike other blockbusters this summer that have the weight of ending or starting franchises, F1 delivers exactly what it's supposed to: a perfectly built thrill ride.

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About Kip Mooney

Like many film critics born during and after the 1980s, my hero is Roger Ebert. The man was already the best critic in the nation when he won the Pulitzer in 1975, but his indomitable spirit during and after his recent battle with cancer keeps me coming back to read not only his reviews but his insightful commentary on the everyday. But enough about a guy you know a lot about. I knew I was going to be a film critic—some would say a snob—in middle school, when I had to voraciously defend my position that The Royal Tenenbaums was only a million times better than Adam Sandler’s remake of Mr. Deeds. From then on, I would seek out Wes Anderson’s films and avoid Sandler’s like the plague. Still, I like to think of myself as a populist, and I’ll be just as likely to see the next superhero movie as the next Sundance sensation. The thing I most deplore in a movie is laziness. I’d much rather see movies with big ambitions try and fail than movies with no ambitions succeed at simply existing. I’m also a big advocate of fun-bad movies like The Room and most of Nicolas Cage’s work. In the past, I’ve written for The Dallas Morning News and the North Texas Daily, which I edited for a semester. I also contributed to Dallas-based Pegasus News, which in the circle of life, is now part of The Dallas Morning News, where I got my big break in 2007. Eventually, I’d love to write and talk about film full-time, but until that’s a viable career option, I work as an auditor for Wells Fargo. I hope to one day meet my hero, go to the Toronto International Film Festival, and compete on Jeopardy. Until then, I’m excited to share my love of film with you.