Review: Deadpool & Wolverine

Score: B

Director: Shawn Levy

Cast: Ryan Reynolds, Hugh Jackman, Emma Corrin, Matthew Macfadyen

Running Time: 127 Minutes

Rated: R

Whatever you loved (or found obnoxious) about the first two Deadpool movies is cranked up to 11 in Wade Wilson's first foray into the MCU. The gore, fourth-wall breaks and juvenile humor are more prominent than ever. Ryan Reynolds and company want to emphasize that there will be no watering down for fans of the 33 previous PG-13 entries.

Yes, Deadpool is in the big leagues now, but it's not quite a perfect fit. Part of what worked about the two previous films is Wade's underdog spirit and fuck-it-all attitude. He was a minor (anti)hero, and the movies reflected that. But now after a Phase and a half of underwhelming follow-ups and spin-offs, Marvel finds itself no longer on top of the world. Turning to a wise-cracking assassin who makes jokes about cocaine and child sex abuse to save their family-friendly empire feels a little off. And so does the film's relentless product placement. (Yes, even in other timelines, they still have Heineken and Jim Beam.)

For a film that feels comfortable mocking the downturn of the MCU and the death of Zack Snyder's DCEU, its plot is almost a carbon copy of last year's sloppy Ant-Man and the Wasp: Quantumania. Both find their reluctant, quippy heroes trapped in an alternate dimension ruled by a merciless villain (in this case, Emma Corrin as Cassandra Nova) desperate to destroy all the other dimensions. Both find themselves teaming up with former antagonists (in this case, a self-loathing version of Logan) and a band of misfits to take down the big bad.

But Deadpool & Wolverine has some distinct advantages over that threequel. For starters, a lot of the film takes place in real locations and actual sets. Yes, there's some occasionally dodgy CGI, but it's not ever-present. And it also has Hugh Jackman, who's played this part for nearly a quarter of the century. Unsurprisingly, he's been one of the few actors to make his spandex-clad superhero feel like a real person. He's much better at selling the script's attempts at gravitas than Reynolds. (He can still be a solid dramatic actor, but not here.)

Still, there's no denying the film is tremendously entertaining when it stays on track. Its tribute to some forgotten - or never realized - Marvel movie characters is great fun. And I could have used a bit more time with them. But then it probably wouldn't be called Deadpool & Wolverine.

If meta jokes and exploring the multiverse are your obsessions, you'll find a lot to love here. If you're growing a little tired of both, you won't have quite as much fun.

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About Kip Mooney

Kip Mooney
Like many film critics born during and after the 1980s, my hero is Roger Ebert. The man was already the best critic in the nation when he won the Pulitzer in 1975, but his indomitable spirit during and after his recent battle with cancer keeps me coming back to read not only his reviews but his insightful commentary on the everyday. But enough about a guy you know a lot about. I knew I was going to be a film critic—some would say a snob—in middle school, when I had to voraciously defend my position that The Royal Tenenbaums was only a million times better than Adam Sandler’s remake of Mr. Deeds. From then on, I would seek out Wes Anderson’s films and avoid Sandler’s like the plague. Still, I like to think of myself as a populist, and I’ll be just as likely to see the next superhero movie as the next Sundance sensation. The thing I most deplore in a movie is laziness. I’d much rather see movies with big ambitions try and fail than movies with no ambitions succeed at simply existing. I’m also a big advocate of fun-bad movies like The Room and most of Nicolas Cage’s work. In the past, I’ve written for The Dallas Morning News and the North Texas Daily, which I edited for a semester. I also contributed to Dallas-based Pegasus News, which in the circle of life, is now part of The Dallas Morning News, where I got my big break in 2007. Eventually, I’d love to write and talk about film full-time, but until that’s a viable career option, I work as an auditor for Wells Fargo. I hope to one day meet my hero, go to the Toronto International Film Festival, and compete on Jeopardy. Until then, I’m excited to share my love of film with you.