SXSW Review: Waking Sleeping Beauty

Score:A-

Director:Don Hahn

Cast:Howard Ashman, Roy Disney, Jeffrey Katzenberg, Glen Keane

Running Time:86 Minutes

Rated:NR

"From 1984 to 1994, a perfect storm of people and circumstances changed the face of animation forever." Those are the first words we get to see as Don Hahn's Waking Sleeping Beauty takes to the screen, and over the next 86 minutes, he shows just how true that statement is.

Having grown up at a time when Walt Disney was known more for their animation films than anything else, I never would have guessed that the studio almost shut down the division due to financial reasons. I can honestly admit that I have never seen The Black Cauldron, nor have I even heard of The Mouse Detective.

I know films like The Lion King, The Little Mermaid and Oliver and Company. Those were my childhood; my biggest and most exciting encounters with movies when I was a child. They contained the songs that I loved to listen to, the characters I longed to be, and the fairy-tale endings that seemed almost too good to be true.

But all of these movies almost never saw the light of day. In fact, almost all of the animated movies that I cherish now would not be here if certain things hadn't taken place within the Walt Disney Company. Waking Sleeping Beauty addresses these monumental changes and how they impacted the wonderful world of movies.

Featuring a combination of interviews with CEO executives, animators and archived home video, the documentary features a bunch of facts in an educational, yet entertaining way. I was never bored as the full history of Walt Disney was revealed, and the political scheme of egos and politics unearthed. It is always interesting to see how a billion dollar company operates. The jealousy, the publicity, and the internal operating structure prove that no family is truly happy"”not even one within Cinderella's castle.

Waking Sleeping Beauty is a documentary worthy of its affiliation. It is a winner on all accounts, and is just as informative as it is entertaining. It hits hard on the key points, yet contains enough emotion for us all to connect to the animators as they struggle to save the genre. I got goose bumps when they began showing footage of Beauty and the Beast's remarkable award season run. Disney makes classic animated films. Now, they are the subject of a phenomenal documentary.

Facebooktwitterredditmail

About Stephen Davis

Stephen Davis
I owe this hobby/career to the one and only Stephanie Peterman who, while interning at Fox, told me that I had too many opinions and irrelevant information to keep it all bottled up inside. I survived my first rated R film, Alive, at the ripe age of 8, it took me months to grasp the fact that Julia Roberts actually died at the end of Steel Magnolias, and I might be the only person alive who actually enjoyed Sorority Row…for its comedic value of course. While my friends can drink you under the table, I can outwatch you when it comes iconic, yet horrid 80s films like Adventures in Babysitting and Troop Beverly Hills. I have no shame when it comes to what I like, and if you have a problem with that, then we’ll settle it on the racquetball court. I see too many movies to actually win any film trivia contest, so don’t waste your first pick on me. My friends rent movies from my bookcase shelves, and one day I do plan to start charging. I long to live in LA, where my movie obsession will actually help me fit in, but for now I am content with my home in Austin. I prefer indies to blockbusters, Longhorns to Sooners and Halloween to Friday the 13th. I miss the classics, as well as John Ritter, and I hope to one day sit down and interview the amazing Kate Winslet.

Leave a Reply