Review: Paris 36

Score:A-

Director:Christophe Barratier

Cast:Gerard Jugnot, Nora Arnezeder, Clovis Cornillac, Kad Merad

Running Time:121.00

Rated:PG-13

Set in one of the world's most romantic cities, one would expect Christophe Barratier's Paris 36 to be full of life, love and happiness. However, in an attempt to recreate history, Barratier and his crew chose to present a 1930s Paris; one that was suffering from a sinking economy and an outrageous unemployment rate. But even with the somber on-screen spirits, the film's cinematography and music help to liven the mood, brining home an enchanting tale that will fully consume your heart not ten minutes in.

At the heart of the film is Pigoil, a veteran crew-member whose job isn't the only thing that has fallen victim to the slumping economy. And while his motives behind the creation of the film's backbone musical are perfectly clear, his innocent actions and passionate approach to the project keep you interested in his every move. He is kind-hearted and to an extent naive, but his vulnerability is what attracts us to him, as well as his male co-stars.

Nora Arnezeder, a newcomer to the big screen, serves as the lone leading lady of the film. Playing Douce, the talented and money-generating singer, Arnezeder steals almost every scene that she is in. Her beauty, reminiscent of the early 1930s Hollywood actress, is alluring and elegant, helping to sell the time period of the piece and give it a welcomed sense of authenticity. Her approach, though a bit forced, is one of susceptible astuteness. She is smart and talented; however, her lack of exposure keeps her guarded, afraid to act on impulse. But as the film progresses and you get to see a star begin to shine through, you quickly realize that this role is large part, autobiographical.

Yet the true benchmark for the movie is its incredibly stunning music. Full of rich lyrics and melodic melodies, each track adds a new layer to the story, giving the film an unprecedented amount of depth and maturity. And though all the tracks were fitting, Nora Arnezeder's performance of the charming and addicting 'Loin De Paname' makes you quickly realize that this film is a unique representation of life. It consumes the dark and unfortunate effects of business, as well as the uplifting achievements that encompass one's pure existence. It travels through life and death, rags and riches, but most of all, it is a clear embodiment of us all, and in film, that is a remarkably rare gem to uncover.

*This film is presented in French with English subtitles.

Facebooktwitterredditmail

About Stephen Davis

Stephen Davis
I owe this hobby/career to the one and only Stephanie Peterman who, while interning at Fox, told me that I had too many opinions and irrelevant information to keep it all bottled up inside. I survived my first rated R film, Alive, at the ripe age of 8, it took me months to grasp the fact that Julia Roberts actually died at the end of Steel Magnolias, and I might be the only person alive who actually enjoyed Sorority Row…for its comedic value of course. While my friends can drink you under the table, I can outwatch you when it comes iconic, yet horrid 80s films like Adventures in Babysitting and Troop Beverly Hills. I have no shame when it comes to what I like, and if you have a problem with that, then we’ll settle it on the racquetball court. I see too many movies to actually win any film trivia contest, so don’t waste your first pick on me. My friends rent movies from my bookcase shelves, and one day I do plan to start charging. I long to live in LA, where my movie obsession will actually help me fit in, but for now I am content with my home in Austin. I prefer indies to blockbusters, Longhorns to Sooners and Halloween to Friday the 13th. I miss the classics, as well as John Ritter, and I hope to one day sit down and interview the amazing Kate Winslet.

Leave a Reply