SXSW Review: Love & Mercy

Score:A-

Director:Bill Pohlad

Cast:John Cusack, Paul Dano, Elizabeth Banks, Paul Giamatti, Tyson Ritter

Running Time:122 Minutes

Rated:PG-13

Tackling the life of Beach Boys' singer/songwriter Brian Wilson, Bill Pohlad's Love & Mercy is a deep character study that unveils more than you'd ever expect. Spanning his entire career, the film dives into Wilson's success, his creative process and his eventual nervous breakdown that brought an end to his band. Which also lead him to the controversial and manipulative Dr. Eugene Landy.

While the film succeeds thanks to its incredible story, credit must be given to both John Cusack and Paul Dano. Portraying the musical genius at different points in his career, both actors step up to the plate with stellar performances. From the detailed mannerisms to his psychological paranoia, the two actors work together to create a linear character arc that works well with the steady stream of flashbacks encompassed within the film.

Elizabeth Banks and Paul Giamatti hold their own as love interest Melinda Ledbetter and personal physician Dr. Eugene Landy respectively. Their work helps to round out Wilson's current state, showing the effect those around you can have on your own life. Neither actor ever demands your attention, instead allowing the story to come to them. And while Giamatti will have you up in arms with frustration, his interactions with everyone onscreen are something to be marveled at.

The flashback scenes with Dano offer up interesting insight in regard to Wilson's creative process and the difficulties that come with being in a band. Watching Wilson slave over new creative directions while questioning his own ability as he works for complete acceptance by those around him is, to an extent, exhausting.  But it opens the story up, showing the geniuses of the problem that ultimately leads to his current situation.

As the story continues to progress, we begin to build a solid understanding of Wilson's current state, it is hard to not notice the simplistic nature of everything.  While Hollywood has often gone out of its way to complicate stories and add in unneeded conflict, Pohlad stays the course here, giving viewers an authentic, albeit frustrating story to which they can relate to.

Love & Mercy refuses to be labeled, never relying too heavily on its music. Instead it combines all aspects of its story to create a film that is both entertaining and emotional to watch.  The added pleasure of listening to some of the Beach Boys' biggest hits throughout"¦ That is just icing on the cake!

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About Stephen Davis

Stephen Davis
I owe this hobby/career to the one and only Stephanie Peterman who, while interning at Fox, told me that I had too many opinions and irrelevant information to keep it all bottled up inside. I survived my first rated R film, Alive, at the ripe age of 8, it took me months to grasp the fact that Julia Roberts actually died at the end of Steel Magnolias, and I might be the only person alive who actually enjoyed Sorority Row…for its comedic value of course. While my friends can drink you under the table, I can outwatch you when it comes iconic, yet horrid 80s films like Adventures in Babysitting and Troop Beverly Hills. I have no shame when it comes to what I like, and if you have a problem with that, then we’ll settle it on the racquetball court. I see too many movies to actually win any film trivia contest, so don’t waste your first pick on me. My friends rent movies from my bookcase shelves, and one day I do plan to start charging. I long to live in LA, where my movie obsession will actually help me fit in, but for now I am content with my home in Austin. I prefer indies to blockbusters, Longhorns to Sooners and Halloween to Friday the 13th. I miss the classics, as well as John Ritter, and I hope to one day sit down and interview the amazing Kate Winslet.

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