Randy White's
directorial debut is an admittedly litigious offering as it is focused on a
family's vacation to Disney World. The film was secretly shot in the park using
hand-held cameras, but amazingly (and blessedly), it completely lacks the usual
shaky quality that it so often the hallmark of such a description. The black
and white presentation gives the scenery depth and texture that full color
would never have allowed, proving the cinematography choice is actually quite
ingenious. This decision also allowed the focus to remain more on the characters
and their developing stories rather than the often overwhelming sights of
Disney World.
The story follows
Jim (Abramsohn) and his family through the joys of Disney World, but their
vacation takes a turn as Jim learns that he's lost his job under mysterious
circumstances. His decision not to tell his wife so that the family may enjoy
their last day of vacation impacts the rest of the trip as Jim takes notice of
two somewhat flirty French teenagers and takes a rather unhealthy interest in
them. The storyline continues to fall down the metaphoric rabbit hole from
their into a postmodern film that explores the surreality of family
entertainment.
This film definitely
keeps you on your toes as the various layers are unveiled, and the ending comes
as a bit of a surprise. There's a bit of comedy, drama, and just a touch of
horror to this film, which often come at unexpected moments. Escape from
Tomorrow is definitely a must-see and one that will leave you thinking
about the ending long after you've walked out of the theater.
