Review: Atonement

Score:A-

Director:Joe Wright

Cast:James McAvoy, Keira Knightley, Romola Garai

Running Time:123 Minutes

Rated:R

On a hot summer day in 1935 thirteen year old Briony Tallis witnesses a mature act between her sister Cecilia and the housekeeper's son Robbie that lies far beyond her level of comprehension. Stricken with confusion and rage Briony accuses Robbie of a crime that he obviously did not commit and the repercussions of her accusations not only change her life but the lives of all those involved. In the end she must work to bridge her distancing relationship with her sister and bring respect to Robbie, all while piecing together the true images that she saw that dark, devilish night.

Highlighted by powerful scenery, a strong script and four of the best acting performances to appear on screen, Atonement mesmerizes and excites on its way to being one of the best films of the year.

The major point of success for the film lies in its cast. Keira Knightly and James McAvoy both give great performances as the falsely accused and his love interest. However both of these performances were expected to be brilliant as that is the standard that both stars have placed on their work. The true surprise of the film was in both Saoirse Ronan and Romola Garai who stole the show as the tattling Briony Tallis at the ages of 13 and 18. Capturing every thought and emotion, both women bring Tallis to life, provoking a feeling of hate from the viewers and succeed in ultimately holding their own against two of the best actors of the present generation.

Another major plus for the film was its music and cinematography. Throughout the film it is impossible to not notice the major impact that the music plays. Keeping to the theme of letter writing the sound of a typewriter is often heard in the background, keeping pace with the action on the screen. Not only does this simple method tie together different aspects of the story but it helps to build intensity throughout this heavy drama, creating a sense of urgency with the viewers. In addition the scenery is absolutely captivating throughout the film. From the high grasses of the Tallis property to the riveting beach where the enlisted men await their return home; each scene is fascinating, capturing the mood and emotions of all present.

However the most impressive part of the film was its story. Told through a three sided triangle each character was fully developed and their story played out to the audience in its entirety. But what truly impressed me was the deep, complex subject matter that was addressed. Combining the forces of misunderstanding, false conviction, family drama and the art of growing up and accepting your past mistakes, Atonement provides for some intense moments full of emotion and complexity. Nonetheless the situations are handled brilliantly by the director and leading case and in the end all three stories are pulled together to form one unexpected yet amazing conclusion that leaves no questions unanswered.

In the end the film is amazing. Combining a terrific story, unblemished scenery and a cast unlike any other; Atonement sits atop the leader board as one of the top films of the year.

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About Stephen Davis

Stephen Davis
I owe this hobby/career to the one and only Stephanie Peterman who, while interning at Fox, told me that I had too many opinions and irrelevant information to keep it all bottled up inside. I survived my first rated R film, Alive, at the ripe age of 8, it took me months to grasp the fact that Julia Roberts actually died at the end of Steel Magnolias, and I might be the only person alive who actually enjoyed Sorority Row…for its comedic value of course. While my friends can drink you under the table, I can outwatch you when it comes iconic, yet horrid 80s films like Adventures in Babysitting and Troop Beverly Hills. I have no shame when it comes to what I like, and if you have a problem with that, then we’ll settle it on the racquetball court. I see too many movies to actually win any film trivia contest, so don’t waste your first pick on me. My friends rent movies from my bookcase shelves, and one day I do plan to start charging. I long to live in LA, where my movie obsession will actually help me fit in, but for now I am content with my home in Austin. I prefer indies to blockbusters, Longhorns to Sooners and Halloween to Friday the 13th. I miss the classics, as well as John Ritter, and I hope to one day sit down and interview the amazing Kate Winslet.

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