“I Know What You Did Last Summer” Headed to 4K, Blu-ray, and DVD

Though it failed to light the box office on fire or get solid reviews from critics, the latest horror legacyquel is headed for home video.

The 2025 I Know What You Did Last Summer follows the same beats as the 1997 original. A group of hot young people commit vehicular manslaughter and cover up their crime. A year later, they're getting picked off by a hook-wielding killer. But this time they can look to the survivors of the past franchise (Freddie Prinze Jr. and Jennifer Love Hewitt) for help.

Sony Pictures Home Entertainment offers a wide variety of physical and digital options for fans wanting to own the film. Both the new entry and the original are available separately, or as a 2-pack at digital stores. This year's version will be available on 4K UHD, Blu-ray, and DVD just in time for Halloween. A nifty Steelbook is also available for the 4K release, featuring vibrant colors and frightening graphics.

Fans can rent or buy the digital versions now. Those who prefer physical media will have to wait until October 7 to get their hands on this slasher.

About Kip Mooney

Like many film critics born during and after the 1980s, my hero is Roger Ebert. The man was already the best critic in the nation when he won the Pulitzer in 1975, but his indomitable spirit during and after his recent battle with cancer keeps me coming back to read not only his reviews but his insightful commentary on the everyday. But enough about a guy you know a lot about. I knew I was going to be a film critic—some would say a snob—in middle school, when I had to voraciously defend my position that The Royal Tenenbaums was only a million times better than Adam Sandler’s remake of Mr. Deeds. From then on, I would seek out Wes Anderson’s films and avoid Sandler’s like the plague. Still, I like to think of myself as a populist, and I’ll be just as likely to see the next superhero movie as the next Sundance sensation. The thing I most deplore in a movie is laziness. I’d much rather see movies with big ambitions try and fail than movies with no ambitions succeed at simply existing. I’m also a big advocate of fun-bad movies like The Room and most of Nicolas Cage’s work. In the past, I’ve written for The Dallas Morning News and the North Texas Daily, which I edited for a semester. I also contributed to Dallas-based Pegasus News, which in the circle of life, is now part of The Dallas Morning News, where I got my big break in 2007. Eventually, I’d love to write and talk about film full-time, but until that’s a viable career option, I work as an auditor for Wells Fargo. I hope to one day meet my hero, go to the Toronto International Film Festival, and compete on Jeopardy. Until then, I’m excited to share my love of film with you.