“Don’t Breathe” Ends “Suicide Squads” Reign

BOX OFFICE REPORT

August 26-28, 2016

(estimates from BoxOfficeMojo.com)

TOP 5

Don't Breathe $26.1 million
Suicide Squad $12.1 million
Kubo and the Two Strings  $7.9 million
Sausage Party $7.6 million
Mechanic: Resurrection $7.5 million

For the first time since July, there's a new No. 1 movie. Even more pleasantly surprising: Don't Breathe is a live-action movie that's not based on a pre-existing property! That hasn't happened since The Boss opened back in April. It's another success story for a lower-budget horror flick, following Lights Out and The Boy. It's almost as if you don't spend a gazillion dollars, you can turn a nice profit on those movies.

Suicide Squad finally fell to No. 2 with its smallest week-to-week drop yet. It's now in danger of falling a little short of $300 million. Still, it's made more than double that overseas for the No. 6 take of the year worldwide. Kubo and the Two Strings fell only 37 percent, far better than any of the new films it faced off against last week. (War Dogs and Ben-Hur got eviscerated.)

Sausage Party approached $80 million in its third weekend. It only made $165,000 more than Jason Statham's latest: a sequel to 2011's remake of The Mechanic. Resurrection made even less than its predecessor. It's surprising it got a sequel at all, considering the remake barely cracked $60 million worldwide.

Outside the top 5:

  • This Weekend's Indie Champ: A restoration of the 1992 film Howards End took the gold, but of the new films, John Krasinski's dramedy The Hollers averaged $11,517 on each of its four screens.
  • Southside with You, the fictionalized account of Barack and Michelle Obama's first date, took in $3 million.
  • Hands of Stone, about the life of boxer Roberto Durán, did much worse, taking in an embarrassing $1.7 million.

Next week:

After a few years of slim pickings on Labor Day Weekend, there are two new films opening. The Light Between Oceans is director Derek Cianfrance's jump to the big leagues, adapting a romantic best-seller with Alicia Vikander and Michael Fassbender. One hopes for an intelligent version of something like the Nicholas Sparks factory, but it could get lost in the shuffle. It's more likely that Morgan becomes a minor hit. The sci-fi flick about a child with special powers seems likely to pull No.1 away from Don't Breathe, since horror flicks typically have a big drop-off in their second weekends. I'm guessing $17 million.

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About Kip Mooney

Kip Mooney
Like many film critics born during and after the 1980s, my hero is Roger Ebert. The man was already the best critic in the nation when he won the Pulitzer in 1975, but his indomitable spirit during and after his recent battle with cancer keeps me coming back to read not only his reviews but his insightful commentary on the everyday. But enough about a guy you know a lot about. I knew I was going to be a film critic—some would say a snob—in middle school, when I had to voraciously defend my position that The Royal Tenenbaums was only a million times better than Adam Sandler’s remake of Mr. Deeds. From then on, I would seek out Wes Anderson’s films and avoid Sandler’s like the plague. Still, I like to think of myself as a populist, and I’ll be just as likely to see the next superhero movie as the next Sundance sensation. The thing I most deplore in a movie is laziness. I’d much rather see movies with big ambitions try and fail than movies with no ambitions succeed at simply existing. I’m also a big advocate of fun-bad movies like The Room and most of Nicolas Cage’s work. In the past, I’ve written for The Dallas Morning News and the North Texas Daily, which I edited for a semester. I also contributed to Dallas-based Pegasus News, which in the circle of life, is now part of The Dallas Morning News, where I got my big break in 2007. Eventually, I’d love to write and talk about film full-time, but until that’s a viable career option, I work as an auditor for Wells Fargo. I hope to one day meet my hero, go to the Toronto International Film Festival, and compete on Jeopardy. Until then, I’m excited to share my love of film with you.

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