Review: Tron: Ares

Score: B-

Director: Joachim Rønning

Cast: Jared Leto, Greta Lee, Evan Peters, Jodie Turner-Smith

Running Time: 119 Minutes

Rated: PG-13

Tron: Ares may have increased relevance and a bigger budget, but it adheres to the principles of its predecessors. Namely, having jaw-dropping visual effects, an incredible score, attractive performers, and an absolutely atrocious script.

Both the original 1982 film and its 2010 sequel made decent money, but the general public basically ignored or forgot about them while a cult built up around their enormous spectacle. Ares seems destined to the same fate because it's once again failed to make any compelling characters, virtual or otherwise. Yet it succeeds in the same way because it remains absolutely captivating to watch.

Like 28 Years Later, this film more or less ignores the events of the last entry, instead pushing more snooze-worthy corporate espionage. Greta Lee plays the CEO of Encom (the company Jeff Bridges took over at the end of the first movie), while Evan Peters sneers his way through as the rival leader of Dillinger Systems. Both companies have found a way to bring digital creations into the real world. But they're racing each other to find a way to make those ones and zeroes last once they materialize.

Dillinger's top program is the titular Ares, played with zero emotion or engagement by Jared Leto. Devoid of any compelling characteristics, this extremely efficient mercenary starts "learning to be human" after studying Lee's character. It's just one of many eye-rolling plot developments, which also include dead siblings and, uh, "particle lasers." In stark contrast, Jodie Turner-Smith brings fire and fury as Ares's lieutenant (and eventual nemesis) Athena. She's so much more alive than anyone else in the movie that you almost root for her to win, even when she ruthlessly mows down anyone in her path.

But let's be honest: We're here for the visuals and the music, and the film delivers on both counts. The flawless cinematography from Jeff Cronenweth (The Social Network) and score by Nine Inch Nails fit together perfectly. The original film had primitive computers to work with, and Legacy delivered some truly heinous de-aging work. But now the VFX are finally at a point where the filmmakers can achieve everything they want to put on screen. It's frequently jaw-dropping. Avatar: Fire and Ash may be the only 2025 film that could rival it in that department.

Tron: Ares has some of the clunkiest exposition and thinnest characters of any movie you'll ever experience. But it also has some of the most impressive things you'll see on a big screen this year. Seeing it in a premium format is a must.

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About Kip Mooney

Like many film critics born during and after the 1980s, my hero is Roger Ebert. The man was already the best critic in the nation when he won the Pulitzer in 1975, but his indomitable spirit during and after his recent battle with cancer keeps me coming back to read not only his reviews but his insightful commentary on the everyday. But enough about a guy you know a lot about. I knew I was going to be a film critic—some would say a snob—in middle school, when I had to voraciously defend my position that The Royal Tenenbaums was only a million times better than Adam Sandler’s remake of Mr. Deeds. From then on, I would seek out Wes Anderson’s films and avoid Sandler’s like the plague. Still, I like to think of myself as a populist, and I’ll be just as likely to see the next superhero movie as the next Sundance sensation. The thing I most deplore in a movie is laziness. I’d much rather see movies with big ambitions try and fail than movies with no ambitions succeed at simply existing. I’m also a big advocate of fun-bad movies like The Room and most of Nicolas Cage’s work. In the past, I’ve written for The Dallas Morning News and the North Texas Daily, which I edited for a semester. I also contributed to Dallas-based Pegasus News, which in the circle of life, is now part of The Dallas Morning News, where I got my big break in 2007. Eventually, I’d love to write and talk about film full-time, but until that’s a viable career option, I work as an auditor for Wells Fargo. I hope to one day meet my hero, go to the Toronto International Film Festival, and compete on Jeopardy. Until then, I’m excited to share my love of film with you.