Oscar-Winning Co-Director of “The Lion King” Passes Away at 76

Roger Allers, who co-directed The Lion King with Rob Minkoff, passed away on January 17 at the age of 76. The Oscar-winning filmmaker also had a hand in some of the biggest films of the Disney Renaissance, including The Little Mermaid, Beauty and the Beast, and Aladdin. He is survived by his husband Genaro Pereira, and children Leah and Aidan, and will be laid to rest at Woodlawn Cemetery in Santa Monica.

Read below for some tributes from those who knew him best.

THE ALLERS FAMILY
“Anyone who knew Roger, loved Roger. His spirit shone like a thousand suns, and anywhere his light touched, the world was a better place. Every life he touched was blessed by his never-ending joy, his spirit, and his energy. We are absolutely devastated, heartbroken, and in shock. There will never be another Roger Allers.”

SIR TIM RICE
THE LION KING COLLABORATOR
“I met Roger Allers when working on the original Lion King animated movie which he co-directed with skill, warmth and humour, this latter quality being one of the main reasons we remained good friends for over 30 years. I shall never forget his wonderful laugh, laid back wit and superb artwork adorning so many of his letters and cards. Gone too soon but never to be forgotten.”

THOMAS SCHUMACHER
ORIGINAL PRODUCER OF THE LION KING ON BROADWAY AND EXECUTIVE PRODUCER OF THE 1994 FILM
“The shocking news about Roger Allers has broken so many hearts. It's impossible to properly recap his gifts to the global community who have seen, mostly unknowingly, his remarkable work. His contribution to The Lion King on screen and on stage is immeasurable. Along with his extraordinary story and visual sense was a deep-rooted commitment to bringing the voice of South Africa to the film - which was then substantially expanded in the stage version.”

DON HAHN
PRODUCER OF THE LION KING
“Every once in a while, life puts someone in our path who helps us see more clearly. Roger was that person for me, and for so many of us who worked with him. He was the rarest of people: endlessly curious, playful, and deeply human, always eager to tell stories that reminded us of the wonder in life. He lives on in his work, and in the hearts of all of us who were lucky enough to know him.”

IRENE MECCHI
CO-WRITER OF THE LION KING FILM AND BOOK CO-WRITER WITH ROGER ON THE BROADWAY MUSICAL
“Roger was a joy to collaborate with… so much fun when we visited far-flung cities where a new production was launching. Roger was one of the very few who always lived in the moment. He was a true artist, a wit and a poet, a rare combination we were all so fortunate to experience. His passing is such a profound loss to all of us.”

LEBO M
GRAMMY AWARD® WINNING COMPOSER/SONGWRITER, AND “VOICE AND SPIRIT” OF THE LION KING
“Every time I was with Rog, I felt a bit more alive… Roger’s always been the most authentic. He is a global icon.”

BOB IGER
CEO, THE WALT DISNEY COMPANY
“Roger Allers was a creative visionary whose many contributions to Disney will live on for generations to come. He understood the power of great storytelling — how unforgettable characters, emotion, and music can come together to create something timeless. His work helped define an era of animation that continues to inspire audiences around the world, and we are deeply grateful for everything he gave to Disney. Our hearts are with his family, friends, and collaborators.”

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About Kip Mooney

Like many film critics born during and after the 1980s, my hero is Roger Ebert. The man was already the best critic in the nation when he won the Pulitzer in 1975, but his indomitable spirit during and after his recent battle with cancer keeps me coming back to read not only his reviews but his insightful commentary on the everyday. But enough about a guy you know a lot about. I knew I was going to be a film critic—some would say a snob—in middle school, when I had to voraciously defend my position that The Royal Tenenbaums was only a million times better than Adam Sandler’s remake of Mr. Deeds. From then on, I would seek out Wes Anderson’s films and avoid Sandler’s like the plague. Still, I like to think of myself as a populist, and I’ll be just as likely to see the next superhero movie as the next Sundance sensation. The thing I most deplore in a movie is laziness. I’d much rather see movies with big ambitions try and fail than movies with no ambitions succeed at simply existing. I’m also a big advocate of fun-bad movies like The Room and most of Nicolas Cage’s work. In the past, I’ve written for The Dallas Morning News and the North Texas Daily, which I edited for a semester. I also contributed to Dallas-based Pegasus News, which in the circle of life, is now part of The Dallas Morning News, where I got my big break in 2007. Eventually, I’d love to write and talk about film full-time, but until that’s a viable career option, I work as an auditor for Wells Fargo. I hope to one day meet my hero, go to the Toronto International Film Festival, and compete on Jeopardy. Until then, I’m excited to share my love of film with you.