“Dune: Part Three” Trailer Promises an Epic Conclusion

Dune and its sequel were massive hits that crossed over from hardcore sci-fi nerds to mainstream audiences. But this third part might be where things get really weird.

Based on Frank Herbert's sequel Dune Messiah, the film will pick up years after the events of the second entry. Paul Atreides (Timothée Chalamet) now rules – some would say terrorizes – much of the known universe. His wife Chani (Zendaya) is about to give birth, allowing the dynasty to continue. That's pretty much in line with the bloody war and palace intrigue of the first two films. But now we get into ghoulas (clones) and Face Dancers (shapeshifters) and all the deception and havoc those groups could wreak.

But if anything, Warner Bros. seems even more confident in this outing. The studio hasn't backed down from its December 18 release date, even as Disney has refused to budge its release of Avengers: Doomsday. The former will have the upper hand, as it's already gotten exclusive IMAX screens for at least the first two weekends.

In addition to Chalamet and Zendaya, Florence Pugh, Javier Bardem, and Charlotte Rampling all return from the previous installment. New cast members include Anya Taylor-Joy and Robert Pattinson. The latter plays the scheming Scytale, and he will surely wow us with crazy accent work and physicality.

The trailer promises the end of the trilogy, which is certainly true based on the fact that director Denis Villeneuve will soon turn his attention to the James Bond franchise. But I would not be totally shocked if another director takes up the mantle to tackle the sequels, some of which are set millennia after Dune Messiah and get even weirder.

Dune: Part Three arrives in theaters on Friday, December 18.

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About Kip Mooney

Like many film critics born during and after the 1980s, my hero is Roger Ebert. The man was already the best critic in the nation when he won the Pulitzer in 1975, but his indomitable spirit during and after his recent battle with cancer keeps me coming back to read not only his reviews but his insightful commentary on the everyday. But enough about a guy you know a lot about. I knew I was going to be a film critic—some would say a snob—in middle school, when I had to voraciously defend my position that The Royal Tenenbaums was only a million times better than Adam Sandler’s remake of Mr. Deeds. From then on, I would seek out Wes Anderson’s films and avoid Sandler’s like the plague. Still, I like to think of myself as a populist, and I’ll be just as likely to see the next superhero movie as the next Sundance sensation. The thing I most deplore in a movie is laziness. I’d much rather see movies with big ambitions try and fail than movies with no ambitions succeed at simply existing. I’m also a big advocate of fun-bad movies like The Room and most of Nicolas Cage’s work. In the past, I’ve written for The Dallas Morning News and the North Texas Daily, which I edited for a semester. I also contributed to Dallas-based Pegasus News, which in the circle of life, is now part of The Dallas Morning News, where I got my big break in 2007. Eventually, I’d love to write and talk about film full-time, but until that’s a viable career option, I work as an auditor for Wells Fargo. I hope to one day meet my hero, go to the Toronto International Film Festival, and compete on Jeopardy. Until then, I’m excited to share my love of film with you.