“Suicide Squad” Drops While “Sausage Party” Grows

BOX OFFICE REPORT

August 12-14, 2016

(estimates from BoxOfficeMojo.com)

TOP 5

Suicide Squad $43.7 million
Sausage Party $33.6 million
Pete's Dragon $21.5 million
Jason Bourne $13.6 million
Bad Moms $11.4 million

 

As is now customary, every big debut is accompanied by a big drop. But Suicide Squad's was bigger than others. Falling more than 67 percent, the only superhero movies to fall harder in the past year were Fantastic Four and Batman v Superman. Had Warner Bros. not spent an obscene amount on marketing, not put all their hopes and dreams into this as the future of their DC franchises and not had absurd expectations, Suicide Squad would be looked at as a success story in spite of lousy reviews. A comic book flick featuring mostly unknown characters makes nearly $225 million in 10 days? That's huge. Except WB needed it to make nearly $350 million domestically just to break even. This is the same studio that's looking at Batman v Superman as a disappointment because it failed to make $1 billion worldwide. That's some atrocious bottom-line thinking that probably factored into both films' less than stellar reception.

Sausage Party, on the other hand, is the big success story. The absolutely filthy animated comedy beat even the most optimistic expectations, raking in an estimated $33.6 million. That makes it the biggest debut for an R-rated animated comedy (a short list, admittedly) and it should easily beat South Park: Bigger, Longer and Uncut to reign supreme in that category.

Pete's Dragon, though based on a less beloved property to be sure, debuted the lowest of any of Disney's recent string of remakes by far. Its $21.5 million isn't even half of the likes of Cinderella or The Jungle Book or even the Sleeping Beauty-adjacent Maleficent. But that was more than enough for the 3-spot, ahead of the quickly fading Jason Bourne and Bad Moms.

Outside the top 5:

  • This Weekend's Indie Champ: Hell or High Water, the acclaimed Western thriller about brothers who become bank robbers. Starring Chris Pine, Ben Foster and Jeff Bridges, the film averaged a whopping $18,500 on 32 screens.
  • Meryl Streep wowed a much older crowd as the titular character in Florence Foster Jenkins. The comedy about the terrible singer debuted at No. 8 with about $6.5 million. Still, it should have legs throughout the fall.
  • After nine weekends, Finding Dory has finally cemented its place. It just passed Star Wars: Episode I – The Phantom Menace to become the 7th highest-grossing movie ever.

Next week:

Ben-Hur's in a big race... to not be the summer's biggest flop. Kubo and the Two Strings, the latest from the highly acclaimed but financially underperforming animation studio Laika, also opens. And then there's War Dogs, which is Todd Phillips' attempt to make comedy out of real-life crime. I think all three will come up short for the No. 1 title. I'm going to go out on a limb and say that there will be such big "You won't believe what I just saw" word-of-mouth for Sausage Party that it ends up at No. 1 despite dropping a bit. Dog days of summer, folks.

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About Kip Mooney

Kip Mooney
Like many film critics born during and after the 1980s, my hero is Roger Ebert. The man was already the best critic in the nation when he won the Pulitzer in 1975, but his indomitable spirit during and after his recent battle with cancer keeps me coming back to read not only his reviews but his insightful commentary on the everyday. But enough about a guy you know a lot about. I knew I was going to be a film critic—some would say a snob—in middle school, when I had to voraciously defend my position that The Royal Tenenbaums was only a million times better than Adam Sandler’s remake of Mr. Deeds. From then on, I would seek out Wes Anderson’s films and avoid Sandler’s like the plague. Still, I like to think of myself as a populist, and I’ll be just as likely to see the next superhero movie as the next Sundance sensation. The thing I most deplore in a movie is laziness. I’d much rather see movies with big ambitions try and fail than movies with no ambitions succeed at simply existing. I’m also a big advocate of fun-bad movies like The Room and most of Nicolas Cage’s work. In the past, I’ve written for The Dallas Morning News and the North Texas Daily, which I edited for a semester. I also contributed to Dallas-based Pegasus News, which in the circle of life, is now part of The Dallas Morning News, where I got my big break in 2007. Eventually, I’d love to write and talk about film full-time, but until that’s a viable career option, I work as an auditor for Wells Fargo. I hope to one day meet my hero, go to the Toronto International Film Festival, and compete on Jeopardy. Until then, I’m excited to share my love of film with you.

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