“Split” Delivers Killer $40 Million Debut

BOX OFFICE REPORT

January 20-22, 2017

(estimates from BoxOfficeMojo.com)

TOP 5

Split  $40.1 million
xXx: The Return of Xander Cage  $20.0 million
Hidden Figures $16.2 million
Sing $9.0 million
La La Land $8.3 million

After months of Star Wars and pleasant inspiration, audiences were looking for chills, and they found it with Split, the latest from scare-master M. Night Shyamalan. Continuing his comeback with more low-budget horror flicks, Split marks the biggest opening for the director since The Last Airbender seven years ago (and may top it once the final numbers are tallied), as well as his best reviews since Signs 15 years ago. That debut, just under Ride Along and Kung Fu Panda 3 for biggest January openings ever also makes it by far the biggest movie of the new year thus far.

That was more than double the latest xXx movie (be careful if you need to Google it), which hasn't had a new entry in more than a decade and been 15 years since Vin Diesel played the super-spy. That $20 million opening is well below even the Ice Cube-starring sequel State of the Union, but not exactly terrible for a belated sequel opening in January. In fact, this is Vin Diesel's best opening since the Fast & Furious franchise re-launched in 2009.

Hidden Figures fell to No. 3, but it's still only dropping marginally from the previous week as audiences continue to flock to the true story. It's sure to pass $100 million at this point. Meanwhile, Sing is about to top $250 million, jumping into the top 10 for 2016. And audiences can't get enough singing from La La Land either. While it had its first significant drop since opening in limited release a month ago, it's bound to pick up many new fans after the Academy Award nominations are announced on Tuesday.

Outside the top 5:

  • This Weekend's Indie Champ: The Red Turtle: the new, dialogue-free animated film from Studio Ghibli. It averaged $7,270 on each of its three screens.
  • The Founder proved to be more Rally's than McDonald's at the box office. The comedy about the Ray Kroc, who stole the McDonald's brand from under the brothers who started the burger joint, only managed $3.7 million.
  • But audiences had more faith in that than the Christian dramedy The Resurrection of Gavin Stone. It only managed a meager $1.3 million.

Next week:

A Dog's Purpose would have been my pick for the No. 1 film, but recent viral videos showing alleged animal abuse will likely drive away some of its audience. So I think Split will repeat, again vanquishing the latest chapter in a 15-year-old franchise (Resident Evil). But expect a total closer to $25 million.

 

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About Kip Mooney

Kip Mooney
Like many film critics born during and after the 1980s, my hero is Roger Ebert. The man was already the best critic in the nation when he won the Pulitzer in 1975, but his indomitable spirit during and after his recent battle with cancer keeps me coming back to read not only his reviews but his insightful commentary on the everyday. But enough about a guy you know a lot about. I knew I was going to be a film critic—some would say a snob—in middle school, when I had to voraciously defend my position that The Royal Tenenbaums was only a million times better than Adam Sandler’s remake of Mr. Deeds. From then on, I would seek out Wes Anderson’s films and avoid Sandler’s like the plague. Still, I like to think of myself as a populist, and I’ll be just as likely to see the next superhero movie as the next Sundance sensation. The thing I most deplore in a movie is laziness. I’d much rather see movies with big ambitions try and fail than movies with no ambitions succeed at simply existing. I’m also a big advocate of fun-bad movies like The Room and most of Nicolas Cage’s work. In the past, I’ve written for The Dallas Morning News and the North Texas Daily, which I edited for a semester. I also contributed to Dallas-based Pegasus News, which in the circle of life, is now part of The Dallas Morning News, where I got my big break in 2007. Eventually, I’d love to write and talk about film full-time, but until that’s a viable career option, I work as an auditor for Wells Fargo. I hope to one day meet my hero, go to the Toronto International Film Festival, and compete on Jeopardy. Until then, I’m excited to share my love of film with you.

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