Overboard is one of the best-loved romantic comedies of the 1980s, starring real-life couple Kurt Russell and Goldie Hawn. While Eugenio Derbez and Anna Faris aren't dating, they should still be able to supply plenty of chemistry in their remake.
While the genders are flipped in the 2018 version, the plot is the same: wealthy jerk Leonardo (Derbez) is rude and condescending to a contract worker Kate (Faris). But when he falls off his luxury yacht and wakes up on the beach with amnesia, Kate and her BFF (Eva Longoria) cook up a scheme to get revenge, in which Kate poses as his wife.
In the clip below, Kate convinces both Leo and a doctor that she's his blushing bride. Overboard hits theaters April 13.
About Kip Mooney
Like many film critics born during and after the 1980s, my hero is Roger Ebert. The man was already the best critic in the nation when he won the Pulitzer in 1975, but his indomitable spirit during and after his recent battle with cancer keeps me coming back to read not only his reviews but his insightful commentary on the everyday. But enough about a guy you know a lot about.
I knew I was going to be a film critic—some would say a snob—in middle school, when I had to voraciously defend my position that The Royal Tenenbaums was only a million times better than Adam Sandler’s remake of Mr. Deeds. From then on, I would seek out Wes Anderson’s films and avoid Sandler’s like the plague.
Still, I like to think of myself as a populist, and I’ll be just as likely to see the next superhero movie as the next Sundance sensation. The thing I most deplore in a movie is laziness. I’d much rather see movies with big ambitions try and fail than movies with no ambitions succeed at simply existing. I’m also a big advocate of fun-bad movies like The Room and most of Nicolas Cage’s work.
In the past, I’ve written for The Dallas Morning News and the North Texas Daily, which I edited for a semester. I also contributed to Dallas-based Pegasus News, which in the circle of life, is now part of The Dallas Morning News, where I got my big break in 2007. Eventually, I’d love to write and talk about film full-time, but until that’s a viable career option, I work as an auditor for Wells Fargo.
I hope to one day meet my hero, go to the Toronto International Film Festival, and compete on Jeopardy. Until then, I’m excited to share my love of film with you.
