“Moana” Bests “Fantastic Beasts”

BOX OFFICE REPORT

November 25-27, 2016

(estimates from BoxOfficeMojo.com)

TOP 5

Moana $55.5 million
Fantastic Beasts and
Where to Find Them
$45.1 million
Doctor Strange $13.3 million
Allied $13.0 million
Arrival $11.2 million

It was a veritable feast for family-friendly fare at the box office this Thanksgiving, and a famine for two more adult-oriented films that we'll get to later. Disney's Moana topped the box office with an estimated $55.5 million. The Pacific Island-themed musical has already racked up more than $81 million since opening late Tuesday. That was more than enough to send Fantastic Beasts and Where to Find Them down to second place. Still, that Harry Potter spin-off held well, dropping a mere 39 percent. It's already surpassed several of the year's sequels and will pass $200 million in the next 10 days, becoming one of only 10 movies to do that so far this year.

One that already hit that milestone is Doctor Strange, which still brought in audiences even after four weekends in theaters. It beat out Allied, which only took in $13 million for the weekend but $18 million since its first late Tuesday showings. That's not a great return for an expensive flick like this, but it's already surpassed Robert Zemeckis's last film, The Walk, which only managed to make $10 million during its entire run.

Arrival dropped to fifth place, but only by seven measly percentage points. That led it to become director Denis Villeneuve's highest grossing film ever, beating out his U.S. breakthrough Prisoners. All of those did better than Bad Santa 2 or Rules Don't Apply, which will go down as some of the year's biggest flops.

Outside the top 5:

  • This Weekend's Indie Champ: Lion, the Weinsteins' tear-jerker about an Indian boy trying to find his biological parents. It averaged $32,092 on four screens.
  • Bad Santa 2 couldn't even beat a three-week-old Christmas movie (Almost Christmas). The belated sequel to Billy Bob Thornton's foul-mouthed original only took in $9.1 million since late Tuesday, which was below the $16.8 million the original made in the same 5-day period 13 years ago. Bah humbug, indeed.
  • Warren Beatty's big comeback vehicle Rules Don't Apply did even worse, taking in a meager $2.1 million in five days against a $25 million budget. As someone put it on Twitter: "You even watch this movie in a theater by yourself, just like the real Howard Hughes."

Next week:

Expect a repeat of what we saw here, as the first weekend of December is a no-man's land much like Labor Day Weekend. The only new release is the horror flick Incarnate. That means Moana will repeat at No. 1, this time with only about $35 million.

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About Kip Mooney

Kip Mooney
Like many film critics born during and after the 1980s, my hero is Roger Ebert. The man was already the best critic in the nation when he won the Pulitzer in 1975, but his indomitable spirit during and after his recent battle with cancer keeps me coming back to read not only his reviews but his insightful commentary on the everyday. But enough about a guy you know a lot about. I knew I was going to be a film critic—some would say a snob—in middle school, when I had to voraciously defend my position that The Royal Tenenbaums was only a million times better than Adam Sandler’s remake of Mr. Deeds. From then on, I would seek out Wes Anderson’s films and avoid Sandler’s like the plague. Still, I like to think of myself as a populist, and I’ll be just as likely to see the next superhero movie as the next Sundance sensation. The thing I most deplore in a movie is laziness. I’d much rather see movies with big ambitions try and fail than movies with no ambitions succeed at simply existing. I’m also a big advocate of fun-bad movies like The Room and most of Nicolas Cage’s work. In the past, I’ve written for The Dallas Morning News and the North Texas Daily, which I edited for a semester. I also contributed to Dallas-based Pegasus News, which in the circle of life, is now part of The Dallas Morning News, where I got my big break in 2007. Eventually, I’d love to write and talk about film full-time, but until that’s a viable career option, I work as an auditor for Wells Fargo. I hope to one day meet my hero, go to the Toronto International Film Festival, and compete on Jeopardy. Until then, I’m excited to share my love of film with you.

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