Weekend Box Office Report: January 10-12 2014

 

BOX OFFICE REPORT January 10-12, 2014(estimates from BoxOfficeMojo.com)

TOP 51. Lone Survivor ($38.5 million)2. Frozen ($15.0 million)3. The Wolf of Wall Street ($9.0 million)4. Legend of Hercules ($8.6 million)5. American Hustle ($8.6 million)

 

After ruling on just two screens, Lone Survivor was the lone winner at the box office, pulling in a mighty impressive $38.5 million. That's Peter Berg's second-best wide opening ever, after 2008's Hancock. It's also the third straight No. 1 wide opening for Mark Wahlberg, a streak that extends further if you overlook the terrible Broken City.

Lone Survivor beat out another strong weekend for Frozen, which is now the fourth highest-grossing movie of 2013, where it will stay. Still, $317 million (and counting) is nothing to sneeze at, and this is a huge success for Disney's in-house animation studio, which arguably had back-to-back years of movies superior to Pixar.

The Wolf of Wall Street continued to defy expectations and negative press to finish third.  Leonardo DiCaprio's Golden Globe win "” and possible Oscar nomination "” could keep it around long enough to break even. It still managed to do better in its third week than The Legend of Hercules in its first. No surprise there. That film may fall to fifth place after final results are tallied. Right now it's tied with American Hustle, which finally passed $100 million.

Outside the top 5: - This Weekend's Indie Champ: The best performance by a true limited release was The Invisible Woman, a British film about Charles Dickens' mistress. It made a very mediocre $5,356 on each of its nine screens.

- Paranormal Activity: The Marked Ones fell a disastrous but expected 65 percent. Now it's unlikely to even make $40 million.

- Of the three Oscar contenders that expanded this week, only August: Osage County showed serious improvement. The family dramedy with the all-star cast finished at No. 7, while the out-there romantic comedy Her finished at No. 11 and the Coen Brothers' musical Inside Llewyn Davis stayed at No. 15, despite adding 573 more screens.

Next week: It's our first serious competition of the year, as four wide releases battle for box office supremacy. There's the horror film Devil's Due, and the squirrel-centric animated film The Nut Job. I think audiences will avoid both of those. That leaves the Ice Cube-Kevin Hart comedy Ride Along to face off against Jack Ryan: Shadow Recruit, which finds Chris Pine playing Tom Clancy's most famous character. It's hard to know if audiences still care about the character that's been played by the likes of Alec Baldwin, Harrison Ford and Ben Affleck. The Sum of All Fears did decent business, but that was back in 2002. By all accounts, Shadow Recruit should be a solid action film, but after a decade of Jason Bourne, is that enough anymore? I think audiences are looking for some laughs because there hasn't been a big comedy since, uh, Anchorman 2. So Ride Along becomes a comedy hit on par with Identity Thief, earning $25 million for the weekend.

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About Kip Mooney

Kip Mooney
Like many film critics born during and after the 1980s, my hero is Roger Ebert. The man was already the best critic in the nation when he won the Pulitzer in 1975, but his indomitable spirit during and after his recent battle with cancer keeps me coming back to read not only his reviews but his insightful commentary on the everyday. But enough about a guy you know a lot about. I knew I was going to be a film critic—some would say a snob—in middle school, when I had to voraciously defend my position that The Royal Tenenbaums was only a million times better than Adam Sandler’s remake of Mr. Deeds. From then on, I would seek out Wes Anderson’s films and avoid Sandler’s like the plague. Still, I like to think of myself as a populist, and I’ll be just as likely to see the next superhero movie as the next Sundance sensation. The thing I most deplore in a movie is laziness. I’d much rather see movies with big ambitions try and fail than movies with no ambitions succeed at simply existing. I’m also a big advocate of fun-bad movies like The Room and most of Nicolas Cage’s work. In the past, I’ve written for The Dallas Morning News and the North Texas Daily, which I edited for a semester. I also contributed to Dallas-based Pegasus News, which in the circle of life, is now part of The Dallas Morning News, where I got my big break in 2007. Eventually, I’d love to write and talk about film full-time, but until that’s a viable career option, I work as an auditor for Wells Fargo. I hope to one day meet my hero, go to the Toronto International Film Festival, and compete on Jeopardy. Until then, I’m excited to share my love of film with you.

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